{"id":48,"date":"2020-03-27T19:29:43","date_gmt":"2020-03-27T19:29:43","guid":{"rendered":"https:\/\/nataschaniederstrass.com\/presse\/"},"modified":"2025-08-05T19:53:17","modified_gmt":"2025-08-05T19:53:17","slug":"press","status":"publish","type":"page","link":"https:\/\/nataschaniederstrass.com\/en\/press\/","title":{"rendered":"Press"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">SELECTED ARTICLES<\/h2>\n\n\n\n<p class=\"has-text-align-left\">2023&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong><strong>Choquette, Emmanuelle. <\/strong><\/strong>\u00ab Natascha Niederstrass, The Vanishing Woman \/ Escamotage d\u2019une femme \u00bb, Ciel variable, n\u00ba 123, \u00ab The Power of Intimacy \u00bb, Montreal, 2023, p. 97-98. <a href=\"https:\/\/cielvariable.ca\/en\/issues\/ciel-variable-123-the-power-of-intimacy\/natascha-niederstrass-the-vanishing-woman-escamotage-dune-femme-emmanuelle-choquette\/\" data-type=\"URL\">web<\/a> | <a href=\"\/wp-content\/uploads\/2023\/08\/CV123_Natascha_Niederstrass-Emmanuelle_Choquette_FINAL.pdf\" data-type=\"URL\">PDF<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\">2022&nbsp;&nbsp;<\/p>\n\n\n\n<p><strong><strong>Avon, Galadriel. <\/strong><\/strong>\u00ab D\u00e9ployer les d\u00e9tours de l&#8217;histoire: la force agissante de&nbsp;Natascha Niederstrass \u00bb, <em>Revue Ex Situ<\/em>, Decembre 13th 2022 <a href=\"https:\/\/revueexsitu.com\/2022\/12\/13\/deployer-les-detours-de-lhistoire-la-force-agissante-de-natascha-niederstrass\/\" data-type=\"URL\">web<\/a> | <a href=\"\/wp-content\/uploads\/2023\/06\/ex_situ-nataschaniederstrass_PDF.pdf\" data-type=\"URL\">PDF<\/a><\/p>\n\n\n\n<p><strong>Drouin, Sophie. <\/strong>\u00ab Je n&#8217;\u00e9tais pas l\u00e0 quand c&#8217;est arriv\u00e9 \u00bb, <em>Revue LQ &#8211; Lettres qu\u00e9b\u00e9coises<\/em>, N.185 Les \u00e9critures du r\u00e9el, Summer 2022. p. 83&nbsp;<a href=\"https:\/\/lettresquebecoises.qc.ca\/numeros\/numero-185\/\">web<\/a> | <a href=\"https:\/\/nataschaniederstrass.com\/wp-content\/uploads\/2022\/07\/SOPHIE-DROUIN-LQ-185_83.pdf\">PDF<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Desloges, Josianne. <\/strong>\u00ab Cinq d\u00e9tours magiques de Manif d\u2019art 10 \u00bb, <em>Le Soleil<\/em>, March 26th 2022&nbsp;<a href=\"https:\/\/www.lesoleil.com\/2022\/03\/26\/cinq-detours-magiques-de-manif-dart-10-ea233ce9f843a88364e791d95373eaf9\" data-type=\"URL\" data-id=\"https:\/\/www.lesoleil.com\/2022\/03\/26\/cinq-detours-magiques-de-manif-dart-10-ea233ce9f843a88364e791d95373eaf9\">web<\/a> | <a href=\"\/wp-content\/uploads\/2022\/07\/Cinq-de\u0301tours-magiques-de-Manif-d_art-10-_-Arts-_-Le-Soleil-Que\u0301bec.pdf\" data-type=\"URL\" data-id=\"\/wp-content\/uploads\/2022\/07\/Cinq-de\u0301tours-magiques-de-Manif-d_art-10-_-Arts-_-Le-Soleil-Que\u0301bec.pdf\">PDF<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Delgado, J\u00e9r\u00f4me. <\/strong>\u00ab Faire tomber les masques \u00e0 la Manif d\u2019art \u00bb, <em>Le Devoir<\/em>, February 26th 2022&nbsp;<a href=\"https:\/\/www.ledevoir.com\/culture\/arts-visuels\/679221\/arts-visuels-faire-tomber-les-masques-a-la-manif-d-art#:~:text=Sinistre%2C%20avec%20la%20pr%C3%A9sence%20de,faisait%20que%20reproduire%20la%20r%C3%A9alit%C3%A9.\" data-type=\"URL\" data-id=\"https:\/\/www.ledevoir.com\/culture\/arts-visuels\/679221\/arts-visuels-faire-tomber-les-masques-a-la-manif-d-art#:~:text=Sinistre%2C%20avec%20la%20pr%C3%A9sence%20de,faisait%20que%20reproduire%20la%20r%C3%A9alit%C3%A9.\">web<\/a> | <a href=\"\/wp-content\/uploads\/2022\/07\/Faire-tomber-les-masques-a-la-Manif-dart-_-Le-Devoir.pdf\" data-type=\"URL\" data-id=\"\/wp-content\/uploads\/2022\/07\/Faire-tomber-les-masques-a-la-Manif-dart-_-Le-Devoir.pdf\">PDF<\/a>&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p><strong><strong>Cl\u00e9ment, \u00c9ric. <\/strong><\/strong>\u00ab Que du bonheur \u00bb, <em>La Presse<\/em>, February 25th 2022 <a href=\"https:\/\/www.lapresse.ca\/arts\/arts-visuels\/2022-02-25\/manif-d-art\/que-du-bonheur.php\" data-type=\"URL\" data-id=\"https:\/\/www.lapresse.ca\/arts\/arts-visuels\/2022-02-25\/manif-d-art\/que-du-bonheur.php\">web<\/a> | <a href=\"\/wp-content\/uploads\/2022\/07\/Manif-dart-_-Que-du-bonheur-_-La-Presse.pdf\" data-type=\"URL\" data-id=\"\/wp-content\/uploads\/2022\/07\/Manif-dart-_-Que-du-bonheur-_-La-Presse.pdf\">PDF<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Rheaume, Julie. <\/strong>\u00ab Manif d\u2019art&nbsp;: confronter la r\u00e9alit\u00e9 \u00e0 l\u2019illusion \u00bb, <em>Mon Montcalm<\/em>, February 16th 2022 <a href=\"https:\/\/monmontcalm.com\/2022\/manif-dart-confronter-la-realite-a-lillusion\/\" data-type=\"URL\" data-id=\"https:\/\/monmontcalm.com\/2022\/manif-dart-confronter-la-realite-a-lillusion\/\">web<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\">2021&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong><strong>Sagalane, Charles. <\/strong><\/strong>\u00ab Zone num\u00e9rique &#8211; Centre SAGAMIE \u00bb, <em>Revue Zone Occup\u00e9e<\/em>, N.21 SURVIE. Summer 2021. p.26-33. <a href=\"https:\/\/www.facebook.com\/RevueZO\/videos\/188658056520239\" data-type=\"URL\" data-id=\"https:\/\/www.facebook.com\/RevueZO\/videos\/188658056520239\">web<\/a> | <a href=\"\/wp-content\/uploads\/2021\/08\/Zone-numerique-21.pdf\" data-type=\"URL\" data-id=\"\/wp-content\/uploads\/2021\/08\/Zone-numerique-21.pdf\">PDF<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong><strong>Avon, Galadriel. <\/strong><\/strong>\u00ab Encag\u00e9e : perp\u00e9tuer le mythe &#8211; Une incursion dans le travail de Natascha Niederstrass \u00bb, <em>Revue Ex Situ<\/em>, N.21. Winter 2021. p.29-35. <a href=\"https:\/\/issuu.com\/revueexsitu\/docs\/ex_situ_27_hd?fbclid=IwAR3yDJ1Bs3FhjPkFUJ95OSSduQROQ1HmJykWtam_cXiS9baJjgM0x_44pKQ\" data-type=\"URL\" data-id=\"https:\/\/issuu.com\/revueexsitu\/docs\/ex_situ_27_hd?fbclid=IwAR3yDJ1Bs3FhjPkFUJ95OSSduQROQ1HmJykWtam_cXiS9baJjgM0x_44pKQ\">web<\/a> | <a href=\"\/wp-content\/uploads\/2021\/05\/ex_situ_27_article.pdf\" data-type=\"URL\" data-id=\"\/wp-content\/uploads\/2021\/05\/ex_situ_27_article.pdf\">PDF<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left\">2020&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p class=\"has-text-align-left\"><strong>Bouraly, Lisa. <\/strong>\u00ab Performer l\u2019archive: une posture critique chez D\u2019Arcy Wison et Natascha Niederstrass \u00bb, <em>Vie des arts<\/em>, N.257. Winter 2020. p.37-39. <a href=\"https:\/\/www.erudit.org\/fr\/revues\/va\/2020-v64-n257-va09295\/104831ac\/\">web<\/a> | <a href=\"\/wp-content\/uploads\/2020\/05\/Performer-archive-Lisa-Bouraly_VDA257.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p><strong>Campbell, James D. <\/strong>\u00ab Adumbrating the Uncanny: The Installations of Natascha Niederstrass \u00bb, <em>Whitehot Magazine<\/em>, July 2019. <a href=\"https:\/\/whitehotmagazine.com\/articles\/adumbrating-uncanny-installations-natascha-niederstrass\/4152\">web<\/a> |&nbsp;<a href=\"\/wp-content\/uploads\/2020\/05\/2019.-07.-10.-James-Campbell.-Whitehot-Magazine..pdf\">PDF<\/a><\/p>\n\n\n\n<p>2018&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p><strong>Desmeules, Anne-Marie. <\/strong>\u00ab Nature morte au couteau: textes hommage \u00e0 Andre\u00ef Tarkovski \u00bb, <em>Le Sabord<\/em>, N\u00b0 111, p. 30-35. <a rel=\"noreferrer noopener\" href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/10\/2018.10_LeSabord_NatureMorteAuCouteau_AMDesmeules.pdf\" target=\"_blank\"><\/a><a rel=\"noreferrer noopener\" href=\"\/wp-content\/uploads\/2023\/06\/2018.-10.-01.-Anne-Marie-Desmeules.-Le-Sabord..pdf\" target=\"_blank\">PDF<\/a><\/p>\n\n\n\n<p><strong>Campbell, James D. <\/strong>\u00ab Revisiter: Critiques d\u2019expositions \u00bb, <em>Ciel Variable<\/em>, Spring-Summer 2018, N\u00b0 109, p. 87-88. <a rel=\"noreferrer noopener\" href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/10\/2018_CielVariable_-ACTU-natascha-niederstrass_JDCampbell.pdf\" target=\"_blank\"><\/a><a href=\"https:\/\/cielvariable.ca\/numeros\/ciel-variable-109-revisiter\/natascha-niederstrass-james-d-campbell\/\">web<\/a> | <a rel=\"noreferrer noopener\" href=\"\/wp-content\/uploads\/2023\/06\/2018.-07.-01.-James-D.-Campbell.-Ciel-variable..pdf\" target=\"_blank\">PDF<\/a><\/p>\n\n\n\n<p><strong>Campbell, James D. <\/strong>\u00ab Momenta: Biennale de l\u2019image \u00bb, <em>Border Crossings<\/em>, Volume 37, Number 1, Issue No. 145, p. 88. <a rel=\"noreferrer noopener\" href=\"\/wp-content\/uploads\/2023\/06\/2017_BorderCrossings_371_Issue_145_MomentaReview_JDCampbell_LR.pdf\" target=\"_blank\">PDF<\/a><\/p>\n\n\n\n<p><strong>Mavrikakis, Nicolas. <\/strong>\u00ab De l\u2019assassinat comme un des beaux-arts \u00bb, <em>Le Devoir<\/em>, February 16th 2018, Vol. C IX, N\u00b0 34, Le <em>D<\/em> Culture p. 37. <a rel=\"noreferrer noopener\" href=\"https:\/\/www.ledevoir.com\/culture\/arts-visuels\/520352\/critique-de-l-assassinat-comme-un-des-beaux-arts\" target=\"_blank\">web<\/a>&nbsp;|&nbsp;<a rel=\"noreferrer noopener\" href=\"\/wp-content\/uploads\/2023\/06\/2018.-02.-17.-Nicolas-Mavrikakis.-Le-Devoir..pdf\" target=\"_blank\">PDF<\/a><\/p>\n\n\n\n<p>2017&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p><strong>Dubreuil, Katherine. <\/strong>\u00ab Le point aveugle &#8211; Natascha Niederstrass at Galerie Trois Points \u00bb, <em>The Belgo Report<\/em>, October 20th 2017. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.thebelgoreport.com\/2017\/10\/le-point-aveugle-natascha-niederstrass\/\" target=\"_blank\">web<\/a>&nbsp;|&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/06\/2017.10_TheBelgoReport_Natascha_Niederstrass_KDubreuil.pdf\" target=\"_blank\"><\/a><a rel=\"noreferrer noopener\" href=\"\/wp-content\/uploads\/2023\/06\/THE-BELGO-REPORT.pdf\" target=\"_blank\">PDF<\/a><\/p>\n\n\n\n<p><strong>Charron, Marie-\u00c8ve.<\/strong> \u00ab Mise en sc\u00e8ne de soi et du pouvoir \u00e0 Momenta \u00bb, <em>Le Devoir<\/em>, September 23rd 2017, Vol. C VIII, N\u00b0 216, p. E6. <a rel=\"noreferrer noopener\" href=\"http:\/\/www.ledevoir.com\/culture\/arts-visuels\/508708\/mise-en-scene-de-soi-et-du-pouvoir-a-momenta\" target=\"_blank\">web<\/a>&nbsp;|&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/06\/2017-09-23_LEDEvoir.pdf\" target=\"_blank\"><\/a><a rel=\"noreferrer noopener\" href=\"\/wp-content\/uploads\/2023\/06\/Mise-en-scene-de-soi-et-du-pouvoir-a-Momenta-_-Le-Devoir.pdf\" target=\"_blank\">PDF<\/a><\/p>\n\n\n\n<p><strong>Blanchette, Manon <\/strong>\u00ab Les v\u00e9rit\u00e9s incertaines \u00bb, <em>Vie des Arts<\/em>, N.248. Autumn 2017, p.69. <a href=\"https:\/\/viedesarts.com\/natascha-niederstrass-les-verites-incertaines\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/06\/2017_09_ViedesArts_MBlanchette.pdf\" target=\"_blank\" rel=\"noreferrer noopener\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/2017.-09.-18.-Manon-Blanchette.-Vie-des-Arts..pdf\" target=\"_blank\" rel=\"noreferrer noopener\">PDF<\/a><\/p>\n\n\n\n<p>2016&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/p>\n\n\n\n<p><strong>Campbell, James D. <\/strong>\u00ab Reviews \u00bb, <em>Border Crossings<\/em>, Volume 35, Number 1, Issue No. 137, p. 90-91. <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2016_BorderCrossings_CrossoversReviewNataschaNiederstrass_JDCampbell.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/2016.-01.-01.-James-D.-Campbell.-Border-Crossings..pdf\">PDF<\/a><\/p>\n\n\n\n<p>2015<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;   <\/strong><\/p>\n\n\n\n<p><strong>Lamarche, Bernard. <\/strong>\u00ab Reviews \u00bb, <em>Canadian Art<\/em>, Winter 2016, p. 148. <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2015_CanadianArt_Reviews_BLamarche.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/2016.-01.-01.-Bernard-Lamarche.-Canadian-Art..pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Lussier, Alexis. <\/strong>\u00ab Sc\u00e8ne perdue d\u2019un crime \u00bb, <em>Spirale<\/em>, N.521. Winter 2015, p. 19-30. <a href=\"https:\/\/www.erudit.org\/fr\/revues\/spirale\/2015-n251-spirale01814\/77819ac\/\">web<\/a> | <a href=\"\/wp-content\/uploads\/2023\/06\/2015.-01.-01.-Alexis-Lussier.-Magazine-Spirale._final.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2014<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Rannou, Pierre. <\/strong>\u00ab Habilitation au r\u00e9cit \u00bb, <em>esse arts + opinions<\/em>, N.82. Autumn 2014, p. 82-87. <a href=\"https:\/\/www.erudit.org\/fr\/revues\/esse\/2014-n82-esse01477\/72217ac\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2014_Esse_Habilitationaurecit_PRannou.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/2014.-08.-21.-Pierre-Rannou.-Esse..pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Campbell, James D. <\/strong>\u00ab Exhibition review&nbsp;: Natascha Niederstrass \u00bb, <em>Magenta Magazine<\/em>, August 15th 2014. <a href=\"http:\/\/www.magentafoundation.org\/magazine\/natascha-niederstrass\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2014_MagentaMagazine_NataschaNiederstrass_JDCampbell.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/2014.-08.-15.-James-D.-Campbell.-Magenta-Magazine.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Babin, Normand. <\/strong>\u00ab Deux visions f\u00e9minines \u00bb, <em>Montr\u00e9alistement<\/em>, March 5th 2014. <a href=\"http:\/\/montrealistement.blogspot.com\/2014\/03\/deux-visions-feminines-sur-la-voix-des.html\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/06\/2014-Deux_visions.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/Deux-visions-feminines-sur-la-voix-des-femmes-a-la-galerie-Trois-Points.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Lefebvre-Faucher, Val\u00e9rie. <\/strong>\u00ab Un filon en art contemporain \u00bb, <em>Je suis f\u00e9ministe<\/em>, February 25th 2014. <a href=\"https:\/\/jesuisfeministe.com\/2014\/02\/25\/un-filon-en-art-contemporain\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2014_Jesuisfeministe_Unfilonenartcontemporain_VLFaucher.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/Un-filon-en-art-contemporain.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2010<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Delgado, J\u00e9r\u00f4me. <\/strong>\u00ab Off, comme dans non officiel \u00bb, <em>Le Devoir<\/em>, May 14th 2010, Vol. C&nbsp;I, N\u00b0 106, p. B1. <a href=\"https:\/\/www.ledevoir.com\/culture\/arts-visuels\/288894\/off-comme-dans-non-officiel\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/06\/2010-05-14_LeDevoir_OFf.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/Off-comme-dans-non-officiel-_-Le-Devoir.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2006<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Mavrikakis, Nicolas. <\/strong>\u00ab Femmes au bord de la crise de nerfs \u00bb, <em>Voir<\/em>, 1 to 7 June 2006. <a href=\"https:\/\/voir.ca\/arts-visuels\/2006\/06\/01\/femmes-au-bord-de-la-crise-de-nerfs-breves-arts-visuels\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2006_Voir_Femmes-auborddelacrisedenerfs_NMavrikakis.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/06\/Femmes-au-bord-de-la-crise-de-nerfs.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Mavrikakis, Nicolas. <\/strong>\u00ab \u00c0 surveiller \u00bb, <em>Voir<\/em>, 12 to 18 January 2006, p.47.  <a href=\"https:\/\/voir.ca\/arts-visuels\/2006\/01\/12\/a-surveiller-natascha-niederstrass-natascha-niederstrass\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2006_Voir_Asurveiller-NataschaNiederstrass_NMavrikakis.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/A-surveiller.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2005<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Hellman, Michel. <\/strong>\u00ab En bref&nbsp;: Natascha Niederstrass remporte la Bourse Plein sud \u00bb, <em>Le Devoir<\/em>, May 31st 2005. <a href=\"https:\/\/www.ledevoir.com\/culture\/arts-visuels\/82965\/en-bref-natascha-niederstrass-remporte-la-bourse-plein-sud\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2005_Le_Devoir_EnbrefBoursePleinSud_MHellman.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/En-bref.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Crevier, Lyne.&nbsp; <\/strong>\u00ab Bivouaquer \u00bb, <em>ICI<\/em>, Volume 8, N.32. &#8211; 5 to 11 May 2005, p.35. <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2005_ICI_Bivouaquer_LCrevier.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/Bivouaquer.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Redfern, Christine. <\/strong>\u00ab April Showers \u00bb, <em>Mirror<\/em>, Volume 20, N.42. &#8211; 14 to 20 April 2005, p.32. <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2005_Mirror_Aprilshowers_CRedfern.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/April-showers.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Mavrikakis, Nicolas.&nbsp; <\/strong>\u00ab Ma cabane au Canada \u00bb, <em>Voir<\/em>, 14 to 20 April 2005, p.58. <a href=\"https:\/\/voir.ca\/arts-visuels\/2005\/04\/14\/le-collectif-orangebrown-ma-cabane-au-canada\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2005_Voir_MacabaneauCanada_NMavrikakis.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/Ma-cabane-au-Canada.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2004<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Mavrikakis, Nicolas.&nbsp; <\/strong>\u00ab Big Deal : Remplir son contrat \u00bb, <em>Voir<\/em>, Volume 18, N.16. &#8211; 22 to 28 avril 2004, p.35. <a href=\"https:\/\/voir.ca\/arts-visuels\/2004\/04\/22\/big-deal-remplir-son-contrat\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2004_Voir_BigDealRemplirsoncontrat_NMavrikakis.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/Remplir-son-contrat.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2003<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Morin, Cristel. <\/strong>\u00ab L\u2019inqui\u00e9tante \u00e9tranget\u00e9 \u00bb, <em>Le Collectif<\/em>, Volume 27, N.5. &#8211; lundi 27 October 2003, p.18. <a href=\"\/wp-content\/uploads\/2023\/07\/Inquietante-etrangete.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Belu, Fran\u00e7oise. <\/strong>\u00ab L\u2019art du temps \u00bb, <em>Etc. Montr\u00e9al<\/em>, N.63. Sept., Oct., Nov. 2003, p.56-57. <a href=\"https:\/\/www.erudit.org\/fr\/revues\/etc\/2003-n63-etc1122093\/35385ac.pdf\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2003_ETC_Lartdutemps_FBelu.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/L_art-du-temps.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Fisette, Serge. <\/strong>\u00ab Une Biennale, une Triennale\u2026 \u00bb, <em>Espace<\/em>, N.65. Autumn 2003, p.5-10. <a href=\"https:\/\/www.erudit.org\/fr\/revues\/espace\/2003-n65-espace1048976\/9081ac.pdf\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2003_Espace_UnebiennaleuneTriennale_SFisette.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/Une-Biennale_une-Triennale.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Van Hoof, Marine<\/strong>. \u00ab&nbsp;Diversit\u00e9 des enjeux&nbsp;\u00bb, <em>Vie des arts<\/em>, N.191. Summer 2003, p.69. <a href=\"https:\/\/www.erudit.org\/en\/journals\/va\/2003-v48-n191-va1098352\/52788ac.pdf\">web<\/a> | <a href=\"\/wp-content\/uploads\/2023\/07\/Diversite-des-enjeux.pdf\">PDF<\/a><\/p>\n\n\n\n<p><strong>Charron, Marie \u00c8ve<\/strong>. \u00ab&nbsp;Voir grand dans la vari\u00e9t\u00e9&nbsp;\u00bb, <em>Le Devoir<\/em>, 11th May 2003, p.E7. <a href=\"https:\/\/www.ledevoir.com\/culture\/arts-visuels\/27238\/de-visu-voir-grand-dans-la-variete\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2003_LeDevoir_Voirgranddanslavariete_MECharron.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/Voir-grand-dans-la-variete.pdf\">PDF<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">CATALOGUES AND EXHIBITION PUBLICATIONS<\/h2>\n\n\n\n<p>2017<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Watters, M\u00e9lina. <\/strong>\u00ab Le point aveugle \u00bb, Galerie Trois Points, 9 Septembre to 28 October 2017. <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/06\/GTP_NNiederstrass_Le_point_aveugle_Opuscule.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/2017.-09.-09.-Melina-Watters.-Opuscule-Galerie-Trois-Points..pdf\">PDF<\/a><\/p>\n\n\n\n<p>2010<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Bouchard, Anne-Marie. <\/strong>\u00ab Accident \u00bb, <em>Les cahiers<\/em>, no.2\/10, Galerie des arts visuels, 2010, p.50-55. <a href=\"https:\/\/issuu.com\/faaav\/docs\/cahiergalerie-22\"><\/a><a href=\"https:\/\/online.fliphtml5.com\/erqir\/raha\/#p=55\">web<\/a> | <a href=\"\/wp-content\/uploads\/2023\/07\/Cahiers-no2.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2009<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Lamarche,&nbsp;Bernard. <\/strong><em>Confluences 2009: rencontre entre le Bas-Saint-Laurent, La Gasp\u00e9sie et Montr\u00e9al<\/em> (Ville de Montr\u00e9al et Mus\u00e9e r\u00e9gional de Rimouski, 2009), p.23. <a href=\"\/wp-content\/uploads\/2023\/08\/Confluences_Bernard-Lamarche.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2008<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Owen, Dawn.&nbsp; <\/strong><em>Spectacle + Artifice<\/em> (Guelph, Ontario: Macdonald Stewart Art Centre, 2008). <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/06\/MSAC.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/Spectacle_Artifice_Dawn_Owen.pdf\">PDF<\/a><\/p>\n\n\n\n<p>2006<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Rannou, Pierre. <\/strong>\u00ab Conte de la frayeur ordinaire \u00bb, <em>The Final Girl<\/em>, Plein sud, 20 May to 25 June 2006. <a href=\"https:\/\/plein-sud.org\/expositions\/natascha-niederstrass\/\">web<\/a> | <a href=\"http:\/\/galerietroispoints.com\/wp-content\/uploads\/2018\/02\/2006_Plein-Sud_Contedelafrayeurordinaire_PRannou.pdf\"><\/a><a href=\"\/wp-content\/uploads\/2023\/07\/Opuscule.pdf\">PDF<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">INTERVIEWS, AND CONFERENCES<\/h2>\n\n\n\n<p>2022<\/p>\n\n\n\n<p><strong>Makonnen, Rebecca. <\/strong>Interview at <em>On dira ce qu&#8217;on voudra<\/em>, ICI PREMI\u00c8RE, Radio-Canada 95.1 FM, Montr\u00e9al, April 14th 2022. <a href=\"https:\/\/ici.radio-canada.ca\/ohdio\/premiere\/emissions\/on-dira-ce-qu-on-voudra\/episodes\/621163\/rattrapage-du-jeudi-14-avril-2022?fbclid=IwAR0v2LRs8HbOM4q6N-luo8GQ6Td6s8cyTmH86CB1MIi3_zaopRy7F02S44A\" data-type=\"URL\" data-id=\"https:\/\/ici.radio-canada.ca\/ohdio\/premiere\/emissions\/on-dira-ce-qu-on-voudra\/episodes\/621163\/rattrapage-du-jeudi-14-avril-2022?fbclid=IwAR0v2LRs8HbOM4q6N-luo8GQ6Td6s8cyTmH86CB1MIi3_zaopRy7F02S44A\">web<\/a><\/p>\n\n\n\n<p>2021<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Niederstrass, Natascha. <\/strong>Communication : \u00ab L\u2019indice judiciaire comme mati\u00e8re premi\u00e8re : m\u00e9moire, archives et art contemporain \u00bb, In the context of the 88th ACFAS Congress <em>Les lieux du droit<\/em>. Sherbrooke University. May 7th 2021. <a href=\"https:\/\/www.acfas.ca\/evenements\/congres\/programme\/88\/300\/307\/c\" data-type=\"URL\" data-id=\"https:\/\/www.acfas.ca\/evenements\/congres\/programme\/88\/300\/307\/c\">web<\/a><\/p>\n\n\n\n<p>2017<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>P\u00e9pin, Alexandre et Pierre de Montvalon. <\/strong>Interview at <em>Les \u00c9tangs d\u2019Art<\/em>, CISM, 89.3 FM, Montr\u00e9al, October 24th 2017.<\/p>\n\n\n\n<p>2016<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Lussier, Alexis. <\/strong>Communication : \u00ab Crime et inconscient dans l\u02bcart photographique de Natascha Niederstrass \u00bb, In the context of the &#8221;Colloque Pop en stock&#8221; <em>Imaginaires, th\u00e9ories et pratiques de la culture populaire contemporaine<\/em>. UQ\u00c0M. June 17th 2016. <a href=\"https:\/\/www.youtube.com\/watch?v=UWgOVwGRNhk\">web<\/a><\/p>\n\n\n\n<p>2015<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Legendre, \u00c9ric. <\/strong><em>Montr\u00e9al s\u2019EXPOSe<\/em>, CIBL Radio-Montr\u00e9al, 101.5 FM, Montr\u00e9al, (Season 2\/Program 15) December 8th 2015.<\/p>\n\n\n\n<p><strong>Caplan, Mitchell. <\/strong><em>Click Here<\/em>, CHUO Community Radio Communautaire Ottawa\/Gatineau, 89.1 FM, July 15th 2015.<\/p>\n\n\n\n<p>2014<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Rollet, Katerine-Lune. <\/strong>Television interview at <em>Montr\u00e9alit\u00e9 <\/em>on the air of MAtv, March 17th 2014.<\/p>\n\n\n\n<p><strong>L\u00e9onard, Ariane. <\/strong><em>L\u2019Escouade M<\/em>, CIBL Radio-Montr\u00e9al, 101.5 FM, Montr\u00e9al, February 26th 2014, Interview with Natascha Niederstrass and \u00c9milie Grandmont-B\u00e9rub\u00e9.<\/p>\n\n\n\n<p>2010<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Guay, Jean-Pierre et Ste-Marie, Richard. <\/strong><em>L\u2019A\u00e9rospatial<\/em>, CKRL, 89,1, la radio culturelle, Qu\u00e9bec, 1<sup>er<\/sup> mai 2010, Interview with Natascha Niederstrass and Catherine Plaisance.<\/p>\n\n\n\n<p>1999<strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <\/strong><\/p>\n\n\n\n<p><strong>Cron, Marie-Mich\u00e8le<\/strong>. \u00ab La rel\u00e8ve qu\u00e9b\u00e9coise en art vid\u00e9o \u00bb, Television program <em>De Bouche \u00e0 Oreille<\/em> on the air of Radio-Canada, Spring 1999.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SELECTED ARTICLES 2023&nbsp;&nbsp; Choquette, Emmanuelle. \u00ab Natascha Niederstrass, The Vanishing Woman \/ Escamotage d\u2019une femme \u00bb, Ciel variable, n\u00ba 123, \u00ab The Power of Intimacy \u00bb, Montreal, 2023, p. 97-98. web | PDF 2022&nbsp;&nbsp; Avon, Galadriel. \u00ab D\u00e9ployer les d\u00e9tours de l&#8217;histoire: la force agissante de&nbsp;Natascha Niederstrass \u00bb, Revue Ex Situ, Decembre 13th 2022 web &hellip; <a href=\"https:\/\/nataschaniederstrass.com\/en\/press\/\">Continued<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"views\/template-fullpage.blade.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-48","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Press - Natascha Niederstrass<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nataschaniederstrass.com\/en\/press\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Press - Natascha Niederstrass\" \/>\n<meta property=\"og:description\" content=\"SELECTED ARTICLES 2023&nbsp;&nbsp; Choquette, Emmanuelle. \u00ab Natascha Niederstrass, The Vanishing Woman \/ Escamotage d\u2019une femme \u00bb, Ciel variable, n\u00ba 123, \u00ab The Power of Intimacy \u00bb, Montreal, 2023, p. 97-98. web | PDF 2022&nbsp;&nbsp; Avon, Galadriel. \u00ab D\u00e9ployer les d\u00e9tours de l&#8217;histoire: la force agissante de&nbsp;Natascha Niederstrass \u00bb, Revue Ex Situ, Decembre 13th 2022 web &hellip; Continued\" \/>\n<meta property=\"og:url\" content=\"https:\/\/nataschaniederstrass.com\/en\/press\/\" \/>\n<meta property=\"og:site_name\" content=\"Natascha Niederstrass\" \/>\n<meta property=\"article:modified_time\" content=\"2025-08-05T19:53:17+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/en\\\/press\\\/\",\"url\":\"https:\\\/\\\/nataschaniederstrass.com\\\/en\\\/press\\\/\",\"name\":\"Press - Natascha Niederstrass\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/#website\"},\"datePublished\":\"2020-03-27T19:29:43+00:00\",\"dateModified\":\"2025-08-05T19:53:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/en\\\/press\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/nataschaniederstrass.com\\\/en\\\/press\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/en\\\/press\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/nataschaniederstrass.com\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Press\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/#website\",\"url\":\"https:\\\/\\\/nataschaniederstrass.com\\\/\",\"name\":\"Natascha Niederstrass\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/#\\\/schema\\\/person\\\/cec6c203bafc9903e9f7c2a2dd6680fb\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/nataschaniederstrass.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/#\\\/schema\\\/person\\\/cec6c203bafc9903e9f7c2a2dd6680fb\",\"name\":\"Natascha\",\"logo\":{\"@id\":\"https:\\\/\\\/nataschaniederstrass.com\\\/#\\\/schema\\\/person\\\/image\\\/\"}}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Press - Natascha Niederstrass","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/nataschaniederstrass.com\/en\/press\/","og_locale":"en_US","og_type":"article","og_title":"Press - Natascha Niederstrass","og_description":"SELECTED ARTICLES 2023&nbsp;&nbsp; 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